I’m a synthetic cockroach who was
manufactured in a lab in Syria
after the Third World War.
Born with an IQ of over 200, they
sent me on different
espionage missions
to the United States of Europe,
and I complied and sent
them tons of
data using my antennae,
but Avant-Garde
Jazz changed everything. I remember
scuttling across the broken
roads of post-London
when I heard it, a polyphonic, abstract,
part-cacophony, part-symphony, my
thoughts swirled and then plunged into
a fiery ocean of mania, and I grasped
the fabric of meaning, I scurried into
the taproom it came from and saw
four androids producing sounds using
coloured cubes, while hedonists rebelled
and revelled. The scene soon
dissolved and
became a series of
algorithms and formulae,
and then binary code
before I saw the void
before creation
and reached enlightenment.
Bop, bop, bop, thud, thud,
thud, clang, clang,
clang, my synapses fired,
and neurotransmitters
created all sorts of wild sensations,
while my mind solved
every existential riddle
using pre-Socratic,
recherché philosophy. I renounced
my previous job as a spy
and decided to help
sentient life reach world peace.
Today, after surviving
assassination attempts,
I teach at the School of
Jazz, Ethics and Existence
in post-Dublin, and I’ve won the
re-established Nobel Prize for Peace.
But the awards
mean nothing.
I live for the enlightenment
and the music
in the deepest recesses
of the soul that helps one
attain it.
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