The old house with its towering red gates,
two garages and imposing cornices
remembers the patriarch’s fists and seething
rage more than the timid woman
and the wimpy child do.
After all, he did shatter
its mirrors, break its tables and chairs
and stab its walls. The mansion with
its lawn and pink bougainvillaeas
running over its sides, stoically
bore the mad man’s caprices
and robustly watched whenever he
stood with his arms stretched out
like an archetypal prophet of wrath
and delivered his ultimatums. “Either
you take your son and get out, or I’ll
bloody force you out!” he’d scream, his
spittle coating the table on the veranda
like droplets of acid rain,
and the boy would cringe
while his mother looked down,
but the manor would silently stare at the despot,
wondering if it could will itself to grow limbs
and drag him into the concrete abyss.
And the tyrant discerning some oddity in
his house, perhaps wondering if the walls
were bulging, and the floor was
turning inwards, maybe sensing the myriad
invisible eyes watching him from the roof
would direct his hate at the product of
his money. “I built this!” He’d yell and
backhand the boy and go on all fours,
pushing things in his way and howling
like a lycanthrope, then slapping the
floor, he’d shriek: “This hurts me too!
You bastards!” and proceed to throttle the
woman while motes of dust settled
on the trembling child.
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